A three-screen video installation juxtaposing the Dutch sky, the artist's grandparents' apartment, and the cityscape of Changsha.
Social & External
Self (Granddaughter)
Self (Grandmother)
Pictures taken between France and Mexico running at 8 frames per second.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
A silent experimental film, originally made in accompaniment to Josephine Zwaan's '1/4' album release presentation in 2016. The film sees musician Josephine Zwaan persist through a test of endurance, with the foundation of the film being a one-take of her staring deeply into the lens of the camera, haphazardly overlayed and re-framed by graphical elements color-matched to the album's artwork.
A short documentary film functioning as the introduction to the One Minutes x Inter-Architecture Department (Gerrit Rietveld Academy) short-film broadcast episode for Rietveld TV, as aired on SALTO. This broadcast was meant to give an artistic impression of a communal art-project developed by the Inter-Architecture Department for the municipality of Amstelveen, The Netherlands. This short documentary film introduces each duo placed and posing at their respective project-based locations, spread out over Amstelveen, through purposely awkward still-but-moving vignettes. The duo's are reintroduced several times in quick succession, with each consecutive appearance showing more of an awkward inter-personality, meant to evoke a certain liminal playfulness. An overpass, a bridge, a bridge-barrier, a docking port, the border between Amsterdam and Amstelveen, the edges of Amsterdamse Bos, an abandoned railroad.
A short documentary film made up of archival footage shot in 2003, which was reworked and edited in 2018-2019. The film shows a haphazardly shot, fragmented property viewing and inventarisation through the eyes of a child, featuring a voice over by that same child. Because of having unrestricted access to their family’s camcorder as a child, there were a few instances where the artist's child form had shot ‘full length’ documentary films - with this documentary short being one of those instances. Often these documentations were a call for seeking comfort in a new surrounding, stemming from a deep fear of being forgotten or unheard, and a playful way of documenting one’s thoughts and feelings. In many ways the artist, Mees Joachim, was the original vlogger, before the advent of Youtube.
A recently hatched turtle, made of sand and by hand, returns to the sea.
An experimental short where one's footsteps create sound on a piano, creaks and all.
A peaceful path with grass along the sides is disturbed by a man that is running and screaming.
A group of young men waltz in pairs, balancing with a glass between their foreheads. In this captivating setting, director Albert Rask crafts a new code of conduct - an allegory reflecting the experience of growing up. A playful yet poignant exploration that reframes the burdens of responsibility, expectations and the rules of adulthood.
"Encouraged by a special encounter between myself and an animal, my research into the “humanimal” began. This is a performative exploration reflecting on the place of animals and humans in their changing relationships throughout time. The research spans from topics like the cohabitation of different human species, the prehuman, the posthuman, to domestication and the numerous animal watching webcams found in zoos and online. Missing Link reflects on the intimacy between the species and how it can be expressed through movement here and now. "
The Concrete Road is a three-channel installation work which was premiered during the Graduation Show 2021 at Gerrit Rietveld Academie. "Landscape shifts, unmodernised desires. This is a story comprising three avatars of myself talking to and interviewing each other, reflecting on memories and weaving a path on coming of age. Sticky childhood memory which never fades. Loosely fitted gender/racial identity struts in juvenile cravings. Self-loathing, negation of the past, and his frowning parents. The tyranny of modernism leaves a leaky path for the protagonist to escape and slobber in a dream of wet summer night. My highest appreciation towards Bertien van Manen, who not only provides images on memory bubbles, but also her images help me to develop the initial script for this work."
In a remote area of northern Spain, the wind has a name: Tramuntana. Tramuntana takes what it wants—clothes, trees, boats, and the people of the landscape who live with the endless threat of being carried away by its force. This film is a lyrical portrait of this furious wind, woven from the stories passed down by local villagers.
'Afloat' is an experimental film that paints a portrait of Japanese performance artist: Ayumi Lanoire. The film opens as a telephone call between Ayumi and Person X, which meanders the audience through the various layers that make up her personas leading one to wonder whether she is in fact a myth or reality.
A meditative depiction of a colonial villa in Mungo, Surinam, taken back by nature.
2-channel film installation 'Die Last meines Namens', wherein Heydt deals with an unpleasant part of his own family history. Heydt’s great-grandfather was a member of the NSDAP and mayor of the small town of Haselünne in Emsland for almost 10 years during the Third Reich. Based on interviews with his grandfather and research in various archives, Heydt develops a personal perspective on the subject. The film deals with how we construct identity from oral retellings, how we process family histories, and how we can find current and personal points of access to German remembrance culture. At the heart of the work are two conversations with his grandfather Heinrich Heydt, recorded at different points in the research process. In them, the grandfather describes his memories of his father, the time, and the two reflect on the subject and the results of the research.
"Water reflections are never static, its fluid form constantly plays with the light in new and totally unique ways. Trying to capture this process naturally leads to an imperfect representation. Embracing this, ‘a puddle of water held in shape by my thoughts’ plays with the materiality of the digital image with the border between digital grain and the movement of the water constantly blurring. This ongoing research project consists of clips recorded over the last two years. - During the Leaving Space exhibition (2024) the work was presented as an installation using an old LCD screen, a wash-stool and other spacial elements. The space where the screen was installed could only be observed from the outside through the glass doors but not entered.
"Inspired by my countless walks in the Middelpolder, the video mirrors my text ‘Dream of a Dutch Sky’, unfolding the Dutch landscape through three different perspectives: the camera’s , the protagonist’s and the plane’s, capturing a wanderer’s stroll."
"The river Lek reminded me of the river Xiang in my hometown Changsha. I had not been home for 3 years and one of the connections with home was the poems my dad wrote me every day via WeChat. The rivers seemed equally significant for the people in the Netherlands and in Changsha. They are both a romantic connection and an important symbol of daily trade and industry. In a Wechat session my father and I simultaneously read three pairs of poems we wrote for this occasion, he by the Xiang and I by the Lek. Giving the words to the waters that ultimately will meet somewhere in the ocean. The video shows fragments of the performance which took place at the same time in Changsha and Culemborg in June. The full-length documentation is presented as a dual-screen video installation. The three poems written by me can be found on the page "Writing"."
What begins as a spatially abstract, weightless situation transforms into a mediation of geography, culture, and history. Filmed transcontinentally between Singapore and The Netherlands, Control emphasizes the idiosyncratic texture of a common, fragmented consciousness.
Performance documentation of Mees Joachim's 'Homophobe', a 10 minute live-reenactment of a scene from 'E Kolór Korrá' (2017). A juxtaposition performed as minimally as possible. A destructively interpretive dance, literally shattering bones whilst forcefully dropping on the ground. A pre-cursor to their 'The Scaphoid Fracture' (2017) performance.
A visual montage portrait of our contemporary world dominated by globalized technology and violence.
In the Realms of the Unreal is a documentary about the reclusive Chicago-based artist Henry Darger. Henry Darger was so reclusive that when he died his neighbors were surprised to find a 15,145-page manuscript along with hundreds of paintings depicting The Story of the Vivian Girls, in What is Known as the Realms of the Unreal, of the Glodeco-Angelinnian War Storm, Cased by the Child Slave Rebellion.
Documentarian Ross McElwee originally set out to make a travelogue of sorts tracing General William T. Sherman's infamous scorched-earth march through the Confederacy in the latter stages of the Civil War. Instead, haunted by a recent breakup with a girlfriend, McElwee ends up documenting his progress -- or lack thereof -- in starting a new relationship. His journey then becomes one of self-reflection and self-discovery rather than a historical/sociological exploration.
Takes us to locations all around the US and shows us the heavy toll that modern technology is having on humans and the earth. The visual tone poem contains neither dialogue nor a vocalized narration: its tone is set by the juxtaposition of images and the exceptional music by Philip Glass.
The story of artist Lil Peep from his birth in Long Island and meteoric rise as a genre blending pop star & style icon, to his death due to an accidental opioid overdose in Arizona at just 21 years of age.
Filmed over nearly five years in twenty-five countries on five continents, and shot on seventy-millimetre film, Samsara transports us to the varied worlds of sacred grounds, disaster zones, industrial complexes, and natural wonders.
An atmospheric essay, which is an alternative version of Count Dracula, a film directed by Jess Franco in 1970; a ghostly narration between fiction and reality.
A concert film documenting Talking Heads at the height of their popularity, on tour for their 1983 album "Speaking in Tongues." The band takes the stage one by one and is joined by a cadre of guest musicians for a career-spanning and cinematic performance that features creative choreography and visuals.
Through deeply personal interviews with her siblings and an examination of the photographs, letters, and belongings left behind, Mariska assembles a new portrait of her mother Jayne Mansfield, an extraordinary and complex woman.
In 1974, Chilean-French director Alejandro Jodorowsky embarked on the quixotic project of adapting Frank Herbert's influential novel Dune (1969) for the big screen. After investing two years, and millions of dollars, the gigantic project ended in failure; but the artists Jodorowsky brought together to carry it out continued to work together, and ended up laying the foundations for modern science fiction cinema.
In candid conversations with actor Jonah Hill, leading psychiatrist Phil Stutz explores his early life experiences and unique, visual model of therapy.
Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
The film follows adventurer Jeff Johnson as he retraces the epic 1968 journey of his heroes Yvon Chouinard and Doug Tompkins to Patagonia.
A look behind the lens of Christopher Nolan's space epic.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
A subjective documentary that explores various theories about hidden meanings in Stanley Kubrick's classic film The Shining. Five very different points of view are illuminated through voice over, film clips, animation and dramatic reenactments.
A night of drunken chaos rocks a quiet Dutch town in this shocking documentary about a teen's birthday invite that accidentally went viral on Facebook.
Unravel the case of Utah therapist Jodi Hildebrandt, whose child abuse arrest with parenting YouTuber Ruby Franke exposed a twisted tale of manipulation.
As his life comes to its end, famous Hollywood director Orson Welles puts it all on the line at the chance for renewed success with the film The Other Side of the Wind.
Home movies, photographs, and recited poetry illustrate the life of Tupac Shakur, one of the most beloved, revolutionary, and volatile hip-hop MCs of all time.