The Last Word (Persian: حرف آخر) is a 2009 social drama Iranian film Written And Directed By Hossein Shahabi. This is a film about Iranian champion athletes.
Social & External
Pourang
Ahmad
Amir
Hossein
Reza
Mohammad
Vahid
Valeh, a member of a leftist organization, is arrested by the SAVAK and sentenced to death. In prison, he reconsiders his relationships with members of his political cell, and begins to doubt the validity of the ideas for which he is condemned. At the same time, his comrades pressure him to make a sacrifice for their cause, and his beloved wife experiences personal problems and economic hardships.
Parvis, the son of exiled Iranians, copes with life in his small hometown by indulging himself with pop culture, Grindr dates, and raves. After being caught shoplifting, he is sentenced to community service at a refugee shelter where he meets siblings Banafshe and Amon, who have fled Iran. As a romantic attraction between Parvis and Amon grows, the fragile relationship between the three is put to a test.
Irreverent city engineer Behzad comes to a rural Kurdish village in Iran to keep vigil for a dying relative. In the meanwhile the film follows his efforts to fit in with the local community and how he changes his own attitudes as a result.
An 8-year-old boy must return his friend's notebook he took by mistake, lest his friend be punished by expulsion from school.
This social Iranian drama, directed by Flora Sam, centers on an old man named Yousef who resides in Kashan. He lives with his daughter, Samira, and his young grandson, Amir Ali. The main conflict arises when Yousef faces the difficult situation of being forced to leave his home. Despite the pressure and the necessity of the move, Yousef is deeply attached to his current house and strongly resists the idea of leaving at all. The film explores the emotional turmoil and challenges faced by the old man and his family as they deal with this impending displacement.
Revenge may have irreversible consequences.
A playwright Iran tries to confront a creative crisis while political clashes erupt during her country's 2009 election.
Famed actress Susan Taslimi plays three roles here: Kian, who doubts her identity; Vida, the twin sister, a self-assured artist; and their mother, who gives up one child out of fear of poverty, then deprives the other of affection because she deeply regrets the child whom she has abandoned.
You're waiting,aren't you?
As Raman prepares to migrate out of Iran, his friends plot the perfect way to celebrate his impending departure. However, their path is plagued with conflict; an unresolved argument over the accidental death of a friend and a conservative elder brother who looks upon their lives with disdain, further resolves to stop the celebration.
A political allegory on four middle-class guys who pile into their car for a ski weekend. A brief stop at a picturesque vista leads to their chance discovery of a prominent rock formation it seems would be oh so easy to tip over, but...
On a pilgrimage to Mashad from Tehran, a couple's transportation breaks down, far from any major town. The husband, a photographer, seeks help at a nearby village and encounters a teacher who offers to help. Whilst the husband and teacher go off to find a spare part, the wife, who used to be a teacher, takes over the teaching lessons in the village. It is clear that the children live there, in this strange deserted place, without any men, save the teacher and an old signal guard. As the day draws on, the children help to bring a new hope and life into the wife's heart.
Rouhi, a young bride-to-be, is hired as a maid for an affluent family in Tehran. Upon arriving, she is suddenly thrust into an explosive domestic conflict. The wife is convinced her husband is having an affair and enlists Rouhi as a spy, to follow her husband, and confirm her suspicions. What Rouhi discovers, however, threatens not only their marriage but her own future.
Against the tumultuous backdrop of Iran's 1953 CIA-backed coup d'état, the destinies of four women converge in a beautiful orchard garden, where they find independence, solace and companionship.
Makhmalbaf puts an advertisement in the papers calling for an open casting for his next movie. However when hundreds of people show up, he decides to make a movie about the casting and the screen tests of the would-be actors.
An old villager deeply in love with his cow goes to the capital for a while. While he's there, the cow dies and now the villagers are afraid of his possible reaction to it when he returns.
Bahram Beyzai's poetic imagining of the circumstances that led to the death of Yazdgerd III, the last of the Sassanid kings of Iran. His death in 651, during the Arab invasions that brought Islam to this Zoroastrian realm, was mysterious: his corpse was discovered in a mill, but the cause of his death—and the whereabouts of his remains—are unknown.
A documentary featuring interviews with teachers and officials on the profession of teaching and what it means to them.
Prince Ehtejab, one of the last remaining heirs of the Qajar royal family, is suffering from tuberculosis, which he knows is fatal. He spends his last days alone in the magnificent rooms of his wintry palace, from where he recollects the glory days of his ancestors as well as days of degradation. Among the latter are the gruesome manner in which his cruel grandfather murdered his mother and brother, and the way that he himself caused the death of his wife.
The lives of three strong-willed women and a young musician cross paths in Tehran’s schizophrenic society where sex, adultery, corruption, prostitution and drugs coexist with strict religious law. In this bustling modern metropolis, avoiding prohibition has become an everyday sport and breaking taboos can be a means of personal emancipation.
A married couple are faced with a difficult decision - to improve the life of their child by moving to another country or to stay in Iran and look after a deteriorating parent who has Alzheimer's disease.
This fiction-documentary hybrid uses a sensational real-life event—the arrest of a young man on charges that he fraudulently impersonated the well-known filmmaker Mohsen Makhmalbaf—as the basis for a stunning, multilayered investigation into movies, identity, artistic creation, and existence, in which the real people from the case play themselves.
As the Iranian revolution reaches a boiling point, a CIA 'exfiltration' specialist concocts a risky plan to free six Americans who have found shelter at the home of the Canadian ambassador.
In 1986 Iran, Sahebjam, whose car breaks down in a remote village, enters into a conversation with Zahra, who relays to him the story about her niece, Soraya, whose arranged marriage to an abusive tyrant ended in tragedy.
Forced out of their apartment due to dangerous works on a neighboring building, Emad and Rana move into a new flat in the center of Tehran. An incident linked to the previous tenant will dramatically change the young couple’s life.
Mohammad joyfully returns to his tiny village on summer vacation from the Institute for the Blind, unaware of his widowed father's intentions to disown him in order to win the hand—and dowry—of a local woman. With the wedding swiftly approaching, Mohammad's future hangs precariously in the balance as his father struggles against his destiny, unable to see the wonder of life and love that's so clear to his son.
A young girl lives in the Outer Hebrides in a small village in the years just before WWI. Isolated and hard by the shore, her life takes a dramatic change when a terrible tragedy befalls her.
Iranian female judokas Leila and her coach Maryam, travel to the Judo World Championship, intent on bringing home Iran’s first gold medal. Midway through the Judo World Championships, they receive an ultimatum from the Islamic Republic ordering Leila to fake an injury and lose, or she will be branded a traitor of the state. With her own and her family’s freedom at stake, Leila is faced with an impossible choice: comply with the Iranian regime as her coach Maryam implores her to do, or fight on, for the gold.
There comes a point in everyone’s life when you have to make a decision about the direction you’re going to take. For newly-18 American fashion model Cora, that time is now. She’s moved to an Australian coastal town to be with her favourite aunt, after a 'fashion faux pas’ back home.
An American woman, trapped in Islamic Iran by her brutish husband, must find a way to escape with her daughter as well.
In this adaptation of the critically acclaimed debut novel by Iranian American author Dalia Sofer, a secular Jewish family is caught up in the maelstrom of the 1979 Iranian Revolution.
Pizza man Hussein is a daily witnesses to the unjust distribution of wealth in his native Iran. One day, he finds a purse filled with shockingly expensive receipts from an upscale jewelry store. He attempts to bring the purse back to the store, but because of his working-class attire, he's not allowed inside. Then, during a delivery, a rich man invites Hussein into his extravagant mansion – an event that spurs Hussein to make a desperate bid for wealth.
As Islamic morality squads stage arbitrary raids in Tehran and as fundamentalists seize hold of the universities, Azar Nafisi, an inspired teacher, secretly gathers six of her most committed female students to read forbidden western classics. Unaccustomed to being asked to speak their minds, they soon removed their veils, their stories intertwining with the novels they read: just like the heroines of Nabokov, F. Scott Fitzgerald, Henry James or Jane Austen, the women in Nafisi’s living room dare to dream, hope and love as we experience the complexity of the lives of individuals facing political, moral and personal siege.
Rory is an ambitious entrepreneur who brings his American wife and kids to his native country, England, to explore new business opportunities. After abandoning the sanctuary of their safe American suburban surroundings, the family is plunged into the despair of an archaic '80s Britain and their unaffordable new life in an English manor house threatens to destroy the family.
Early morning silence is broken by screeching tires as a helicopter bears down on a speeding vehicle. Taking a quick corner, the team tumbles out into the woods as their car pulls away. Now they must make their way through the thick of nature and thick gunfire to accomplish their mission. Not a single word of dialogue is spoken throughout the entire film. Instead, the music, sounds, images and deeply truthful acting turn a simple plot into an intense experience. Passion and intrigue keep building to the very end.
Evangelist Carlton Pearson is ostracized by his church for preaching that there is no Hell.