“Man on the chair” is tormented and constantly doubts his very own existence.
Social & External
Narrator
The witch Yubaba from Spirited Away faces the viewer then laughs exaggeratedly, her mouth wide open. She spins around 180 degrees and a baby bird comes out of her hair, singing. The bird disappears in the hair of the witch who resumes her initial position and leaves with a great burst of laughter.
Pearl and Gadabout are now a flying doctor trio, caring for creatures including a mermaid, a unicorn and a sneezy lion. However when bad weather forces them to land at the palace, Pearl is locked up by her uncle, the king.
Follow a little toy clown, thrown away with a load of old discarded toys, as he goes on a journey to find a new loving home for himself and his friends.
A man is left alone in empty white space. He starts to create his own world with materials popped up out of nowhere and build a house and made animals. But there is a hole in this world and he wonders about it. In the meanwhile he learns there is the border where they can survive around the hole.
We are all living in a food chain. All of the living beings support each other as predator-prey relationship in the balance of nature. Yet there is a huge and ferocious bird. It is so brutal that all the creatures are afraid of it. . . Everything repeats itself, slightly changing form.
A girl is kept on the [move] by a witch and continues to peel potatoes. She is fed up and tries to escape in vain. She gets desperate and decides to beat the witch. . . what will she find? What is her intention? Can we undo what has been done?
Two high school students are playing in the ruins. They hear something from the darkness and one of them goes deep into a dark room where something suspicious is hiding and both of them have their hearts taken out. Later a boy and his sister drop by the ruins. . .
There is a family living in an air base town. I got a younger brother. Dad was only absent for work at the base and Mom was busy with the brother and little time for me. Out of loneliness and jealousy I [hid] brother’s charm. From that day, Dad stopped coming home. . .
It is the day of Grandpa’s wake. Grandma is a alone in her room looking at the album full of memories of him. ‘Are you sad, Grandma?’ asks the boy. She answers her grandson merrily with jokes. . . she falls asleep and in her dream she meets a man and makes him a promise. . .
The protagonist is with friends but bored with the conversation. His mind often slips away to his own imaginary world and comes back to them. . .
After losing a job at the company a man starts working part-time handing out balloons in a rabbit costume. He finds it comfortable to disguise himself in the costume, as nobody would recognize him. Finally, he decides to wear the costume all the time in his daily life. Then the costume becomes a part of his body and confines him inside. . .
An old man is trying to create a girl out of his memories. Little by little the doll is being made and given a physical body of machinery parts. The old man makes her as a pure creature, but she denies her identification. The doll demolishes herself, saying ‘This is not Me!
This woman has detached herself from the outside world. For her, it is daily work to feed her bird and to look at the town from her window. Because she doesn’t go out, she does not even put on clothes. However, this daily life has ended. She has run out of the cornflakes that she eats every day. As we get up in the morning and put on clothes, we are alive in a social system. Nobody understands whether it is the correct world. However, even if you escape from the system, the day you have to return will come.
One day, a boy who separated from his mother’s hand is deprived of his fingers. His fingers become a larva and part from his hand. The house. . . conceal[s] a relationship between the two from anyone. How does the boy who is deprived of his fingers grow up?
Almost everyone in a contemporary society is picked up and moved by someone or something like a ‘Sugoroku’. The first one which picks up is ‘Parents’. A hero grows up along a ‘Sugoroku’. This work describes. . . the process of his growth as he depends on his parents. . . One day he decides to cut off his relationship with his family.
It's a story about a frog, who is eager to make his companions stand as a line. He is the only one who wears an armlet, and has a little different skin color from the other frogs. This work focus on the relationship between "rulers" and "ruled ones", and describes the consequences of some unexpected events.
I tried to symbolize the emotion of loneliness with the motif of the poet, Taneda Santoka, who has broken the haiku form. Cutout method depicts subtle face expressions of the man who is slightly drunk in the mountain.
The film is set in China in the 1960s. An old woman cools herself in the garden. The sunset makes the sky orange. Sunset flower starts to bloom. The flower guides her to daydream. The woman dreams of her childhood memories and when she was young and beautiful.
At night, the child sees the sandy figure coming into his room. It lures his stuffed animal away from the shelf and they are gone beyond the hill. Following them to get his stuffed animal back, the child goes into the deep darkness of the night. . .
There once lived two brothers in a town. The elder lived alone. The younger lived with his parents. They did not get along well... They called each other occasionally. The elder one was impatient and emotional and did nothing but work... One day the elder brother’s face turned into a tomato...
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Over seven decades, actor and activist George Takei journeyed from a World War II internment camp to the helm of the Starship Enterprise, and then to the daily news feeds of five million Facebook fans. Join George and his husband, Brad, on a wacky and profound trek for life, liberty, and love.
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