Documentary about loneliness in the elderly.
Social & External
Details fade from the mind, just like memories. Clarity in memory becomes blurred, and our bodies are the marked spaces once inhabited by others. When nothingness becomes memory, what do we remember? Reflecting on the past, present, and future, different bodies will connect, sharing their feelings and emotions through touch. Skin, with its textures and uniqueness, becomes the link to the absent other, and in the need for details, we seek to remember what has been forgotten.
In a world where farming is mechanized and farm animals are fed with products coming from across the globe, a young shepherd is trying to keep his practice sustainable by using ancestral ways to raise his flock.
A Short film by Christophe Bisson
During the rice sowing season, Jun, a young Catalan of Chinese origin, works as a seasonal worker in the Ebro Delta. This ancient labour will make him confront his own roots and the distance that separates him from his family.
An intimate portrait of Mariano "Cronopio" Gedwillo, an Argentinian clown in Riga, as he transforms ordinary life into wonder through the magic of the circus — and teaches others to do the same, all while battling his own loneliness.
ATENTAMENTE is a film that, through the sensation of the time passing by and the presence of the death that wanders into a nursing home, allows us to feel the life through the illusion that love brings along. Libardo and Alba, a couple of elders who met each other at the nursing home where they live, they fall for, they become boyfriends and start to struggle in order to find fifty thousand pesos to rent a room for one night at a hotel so they can have a privacy moment, since at the nursing home where they live is not possible to have that. While struggling they must face each other, face their fears, their limitations, their pains, their time as well as their fragility so they can construct that moment in which they meet love. A struggle that seems to be easy, but for them is an odyssey against time, against their limitations and their own ghosts.
By the shore of Lake Kerkini, nestled among the poplar trees, lies a small farm. There, a father and his son raise buffaloes. The camera lens roaming between their feet, quietly observing the daily life of both the men and the buffaloes. A wetland where the natural wealth is evident as loneliness.
A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.
A house. A shelter. A man the last one left in the homeland. A woman returns to her community every year. The daughters and husband who have lost all traditions. A rapper who raps in the old language. In 1990 Susanna marries Udo. Their wedding is the last one celebrated between two Saxons in their village. After that the couple emigrated like half a million of Transylvanian Saxons. After 30 years in Germany the relationship between Susi and Udo has gone stale and they haven't taught their native language to their daughters that feel just German. Georg on the other hand is proud of his identity. He hopes with his rap to spread the young generations about the heritage to make them proud of being a Saxon. This is the choral story of a family who is learning to change in order not to disappear.
The story of three Turkish men. They all grew up in Switzerland and all got deported after various criminal offenses.
This documentary is a sad sight of the reality of child abuse victims who now live in public shelters in Brazil, with stories told by themselves. Children and adolescents who are now in shelters were victims of violence. Most were the victim of the own family and others never knew theirs. The years are passing and the childhood and adolescence of them also ...
For generations, Sa Bastida has been much more than a house: it has been a refuge, a witness, and a vital centre for the Barceló family. Today, however, solitude has settled into every room, and Joan, the last one who remains, carries the living memory of all that it once was. As the arrival of new rhythms, infrastructures, and urban landscapes threatens this fragile environment, the documentary delves into the tension between the persistence of the past and the relentless advance of modernity. With an intimate and contemplative gaze, Dear Sa Bastida portrays not only the physical decay of a home, but also the emotional and symbolic value of a space that is quietly fading away. It is a tribute to the spaces that disappear, to the people who endure within them, and to the need to preserve memory before progress completely erases what defines us.
Ever since he was a kid, Johnny Castle had a dream: to become a movie star. Driven by his obsession, Johnny moved to Los Angeles, and the corner of Hollywood and Vine Boulevards became his natural stage on which to promote himself. Johnny is absolutely convinced that some day a producer or a director will sign him for their next movie. Even though Johnny has this optimistic way of looking at life, in the three years since his move to Los Angeles he has only been able to get a small part in a science fiction B-movie. Very soon the movie will debut in the theaters, and Johnny wants to show the result of his work to his father, who lives in Chicago. He obtains a preview DVD copy of the movie from the director so that he'll be able to present it to his dad as a wonderful birthday surprise.
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