A film documenting life in Okinawa under the domination of American military bases
Social & External
An Okinawan photographer, Mao Ishikawa spent her early 20s working as a barmaid in establishments catered specifically to African American GIs stationed in Okinawa. “There was love,” as the tagline reads, her photography book, 『Red Flower – The Women of Okinawa』 captured the diaristic intimacy of friendships, love affairs, and wild nights shared amongst her social circle of that time.
In the final hours of the Pacific War, Okinawa was the destination for Korean men conscripted as “military laborers” and Korean women taken as “comfort women.” Little is known about the number of casualties or their experiences. In 1989, Park Soonam started to track down the survivors of the Battle of Okinawa to record their testimonies. In 1990, Park visits Korea in search of former “military laborers” who had survived Okinawa and repatriated to Korea. The survivors vividly recount their experiences of their compatriots’ murder and about the “comfort women” to the Zainichi Korean female director. The film zeroes in on the murder of Korean “military laborers” and the presence of “comfort women” in Okinawa via testimonies of former Japanese soldiers.
The greatest taboo of the Battle of Okinawa were Guerrilla units composed of boy soldiers. Until now, not even the Japanese people knew the full scope of these secret troops, and survivors have been afraid to share their tragic details. Okinawa became the bulwark to protect the Japanese mainland toward the end of World War II. After the Americans landed, a violent battle ensued resulting in the loss of over 200,000 lives – many of them civilian. This documentary uncovers Japan’s deepest secrets concerning the Battle of Okinawa, and also sounds alarms about modern Japan’s recent steps toward remilitarization.
By mid-1945, Hitler is dead and the war has ended in Europe. Halfway around the world, however, the fighting is still going strong on a small island in the Pacific. Okinawa was the site of the last battle of the last great war of the 20th century, with a casualty rate in the tens of thousands. Through it all, military cameramen risked their lives to film the conflict, from brutal land combat to fierce kamikaze attacks at sea. See the footage they captured and experience this intense battle the way the soldiers saw it -- in color.
The film follows the last 4 years life of Grandma Hashima, the last existent from colonial Taiwan, who knows the secrets of "Green Jail," the notorious coal mine before World War II on Iriomote Island, Okinawa, Japan.
Standing Army, directed by Enrico Parenti and Thomas Fazi, is an award-winning documentary film about the global network of U.S. military bases, the impact that these have on local populations, and the military-industrial complex that lies behind it.
On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.
This work was created to commemorate the reversion of Okinawa to Japan.
In April 2023, SU-METAL (vocal, dance), MOAMETAL (scream, dance), and MOMOMETAL (scream, dance) entered a new stage as the new BABYMETAL, and since then, they have embarked on their largest-ever world tour, "BABYMETAL WORLD TOUR 2023-2024," visiting 25 countries including Japan. The 98 performances, excluding festivals and guest act appearances, recorded a total audience of over 280,000 people.
An Okinawan photographer, Mao Ishikawa was 33 years old when she crossed the ocean to Philadelphia in order to photograph the life of her friend, Myron Carr, a former US marine whom she met during his service in Okinawa in the 1970s. The subsequent photo book, “Life in Philly”, is filled with raw and vivid images, capturing the atmosphere and the culture of the predominantly African American neighborhood of downtown Philadelphia in the late 80s. This film looks back on those days, bringing Myron to remembrance as Mao and his surviving family try to find the missing pieces.
During World War II, many Japanese immigrants in Santos, Brazil, were forced to move to another place. Matsubayashi draws attention to the fact that 60% of the immigrants were from Okinawa. Based on testimonies from interviewees, this film reveals the hidden historical relationship between Okinawa and Brazil.
Director Miho Niikura examines the modern practice of tee (Okinawan karate), and its attractiveness to Westerners—some of whom travel thousands of miles to study the venerable martial art in its birthplace, Okinawa.
Murakawa, an aging Tokyo yakuza tiring of gangster life, is sent by his boss to Okinawa along with a few of his henchmen to help end a gang war, supposedly as mediators between two warring clans. He finds that the dispute between the clans is insignificant and whilst wondering why he was sent to Okinawa at all, his group is attacked in an ambush. The survivors flee and make a decision to lay low at the beach while they await further instructions.
With the background of the Battle of Okinawa, he draws a semi-documentary image of each individual person under an unusual psychological state of war. Furukawa Takumi of “Backlight” is adapted and directed by Daiichi Ishino. Filmed by Yoshio Mamiya, “Smuggling of the body”. The main performers are Sachiko Sakai since the “Zoi Family”, Hiroyuki Nagato of the “Next door bride”, Shoji Yasui of the “Sentimental wife”, Takatoko of “Crying, the last Japanese fighter”, “Blue angry” Noriko Katsura, Shinzo three of "actress (1956)", Masao Oda, Nobuo Kaneko, Toru Abe, Hiroshi Nihonyanagi, Misako Tsubouchi.
Aoi has dropped out of high school and gives birth to a baby son with her husband Masaya. They live in Okinawa, the Southern island of Japan where they were both born. To make ends meet, she starts working as a night-club hostess. Masaya loses his job and cannot deal with the family’s responsibilities. Their immaturity and dependence aggravate the relationship and continuous fights lead to a social downfall. Aoi’s bond with her son sets her on a path to find solutions.
A documentary anime retelling the shipwreck of the freight boat Tsushima Maru, which was carrying 836 schoolchildren home in July 1944 when it was attacked and sunk by an American submarine. Produced by the surviving family members of the Tsushima Maru.
"There are many things that I don't like. The traffic jam on the way to Naha, my debt-ridden father, my best friend's boyfriend, milk, and my hometown, Shioya-wan. Why did my beautiful mother marry my father?" Ruri tried to escape from these thoughts as she faced an uncertain future. Then, one day, she learns of her mother's past, but…
With summer vacation, Chiaki, a high school girl, is just passing each day without getting along well with her boyfriend, Masahiko and her first experience.
Breathe In, Breathe Out centers on six, later seven, individuals who have gotten jobs harvesting sugarcane on a small Okinawa island. Each worker has their own unique personality as well as their own issues as they learn to work together...
In 1999, Internet entrepreneur Josh Harris recruits dozens of young men and women who agree to live in underground apartments for weeks at a time while their every movement is broadcast online. Soon, Harris and his girlfriend embark on their own subterranean adventure, with cameras streaming live footage of their meals, arguments, bedroom activities, and bathroom habits. This documentary explores the role of technology in our lives, as it charts the fragile nature of dot-com economy.
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